{"id":11051,"date":"2022-03-17T10:10:35","date_gmt":"2022-03-17T16:10:35","guid":{"rendered":"https:\/\/www.bbmnoticias.com\/labravaradiofm\/?p=11051"},"modified":"2022-03-17T10:10:37","modified_gmt":"2022-03-17T16:10:37","slug":"el-museo-del-prado-exhibe-annibale-carracci-los-frescos-de-la-capilla-herrera","status":"publish","type":"post","link":"https:\/\/www.bbmnoticias.com\/labravaradiofm\/2022\/03\/17\/el-museo-del-prado-exhibe-annibale-carracci-los-frescos-de-la-capilla-herrera\/","title":{"rendered":"El Museo del Prado exhibe Annibale Carracci. Los frescos de la capilla Herrera"},"content":{"rendered":"
<\/div>\n

Madrid, Espa\u00f1a.-  <\/strong>Se re\u00fane  por primera vez desde 1833, un conjunto de pintura mural de excepcional importancia  y que puede considerarse el gran desconocido del cat\u00e1logo de Annibale Carracci: los frescos que se conservan de la capilla de la familia de Juan Enr\u00edquez de Herrera en la iglesia de Santiago de los Espa\u00f1oles de Roma. <\/p>\n\n\n\n

Andr\u00e9s \u00dabeda, Director Adjunto de Conservaci\u00f3n del Museo Nacional del Prado, explica que la reciente restauraci\u00f3n de los siete frescos conservados en el Prado y la colaboraci\u00f3n del Museu Nacional d\u2019Art de Catalunya y la Gallerie Nazionali di Arte Antica Palazzo Barberini de Roma han permitido el estudio, conocimiento y puesta en valor del conjunto. <\/p>\n\n\n\n

\"\"
Foto: Museo del Prado<\/strong><\/figcaption><\/figure>\n\n\n\n

\u201cEl extraordinario montaje de la exposici\u00f3n permitir\u00e1 al visitante recorrer las diferentes alturas de la capilla y recrear su decoraci\u00f3n\u201d. <\/p>\n\n\n\n

Detalla que en los primeros a\u00f1os del siglo XVII, Annibale Carracci (Bolonia, 1560 \u2013 Roma, 1609) se comprometi\u00f3 con Juan Enr\u00edquez de Herrera a pintar al fresco la capilla de su familia en la iglesia de Santiago de los Espa\u00f1oles de Roma. Carracci ide\u00f3 todo el conjunto y lleg\u00f3 a ejecutar algunos frescos antes de que en 1605 sufriera una grave enfermedad que le apart\u00f3 del proyecto, delegando la ejecuci\u00f3n de las pinturas en Francesco Albani. A pesar de que se trata del encargo m\u00e1s importante recibido por Carracci en el final de su carrera, estos frescos, que reproducen escenas de la vida de san Diego de Alcal\u00e1, franciscano andaluz fallecido en 1463, son pr\u00e1cticamente desconocidos en su conjunto para el gran p\u00fablico debido, entre otras circunstancias, a su dispersi\u00f3n.<\/p>\n\n\n\n

\"\"
Foto: Museo del Prado<\/strong><\/figcaption><\/figure>\n\n\n\n

El arranque de las pinturas de los muros de la capilla a causa del deterioro de la iglesia, provoc\u00f3 que, de los diecinueve fragmentos de pintura mural existentes, solo diecis\u00e9is llegar\u00e1n a Espa\u00f1a (7 fragmentos se conservan en el Museo Nacional del Prado y 9 llegaron a la Reial Acad\u00e8mia Catalana de Belles Arts de Sant Jordi desde donde fueron depositados en el MNAC), y los tres restantes se depositar\u00e1n en la iglesia romana de Santa Mar\u00eda de Montserrat, donde no han podido ser localizados. All\u00ed se traslad\u00f3 tambi\u00e9n el cuadro del altar, donde hoy contin\u00faa.<\/p>\n\n\n\n

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Foto: Museo del Prado<\/strong><\/figcaption><\/figure>\n\n\n\n

En la exposici\u00f3n el p\u00fablico ver\u00e1 siete frescos, los primeros son los cuatro trapecios que decoraban la b\u00f3veda de la capilla y que narran asuntos relativos a la vida del santo protagonista: San Diego recibe limosna, la Refacci\u00f3n milagrosa, San Diego salva al muchacho dormido en el horno y San Diego recibe el h\u00e1bito franciscano. <\/em>Adem\u00e1s, tres de los \u00f3valos que se situaban en las pechinas: San Lorenzo, San Francisco y Santiago el Mayor<\/em>. <\/em><\/p>\n\n\n\n

\"\"
Foto: Museo del Prado<\/strong><\/figcaption><\/figure>\n\n\n\n

Adem\u00e1s otras nueve pinturas murales, las dos que se situaban en el exterior por encima del acceso a la capilla, la Asunci\u00f3n de la Virgen y los Ap\u00f3stoles alrededor del sepulcro vac\u00edo de la Virgen<\/em>, y otras cuatro, arrancadas de las paredes laterales del interior, la Predicaci\u00f3n de san Diego, la Curaci\u00f3n de un joven ciego, la Aparici\u00f3n de san Diego en su sepulcro y el Milagro de las rosa<\/em>s. <\/p>\n\n\n\n

 Junto a estas pinturas se exponen dibujos relacionados, estampas que reproducen los fragmentos perdidos y libros de exequias de los reyes de Espa\u00f1a donde se reproduce el interior de la iglesia.<\/p>\n","protected":false},"excerpt":{"rendered":"

Madrid, Espa\u00f1a.-  Se re\u00fane  por primera vez desde 1833, un conjunto de pintura mural de excepcional importancia  y que puede considerarse el gran desconocido del cat\u00e1logo de Annibale Carracci: los frescos que se conservan de la capilla de la familia de Juan Enr\u00edquez de Herrera en la iglesia de Santiago de los Espa\u00f1oles de Roma.  […]<\/p>\n","protected":false},"author":6,"featured_media":11052,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-11051","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sin-categoria"},"yoast_head":"\nEl Museo del Prado exhibe Annibale Carracci. 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